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World Cup kiss: feminist progress meets backlash

Anja Louis 4th September 2023

Spain’s #MeToo moment shows however that things are changing.

World Cup,Hermoso,kiss,Rubiales,se acabó
Showing the red card to Luis Rubiales at a demonstration in Madrid last week (Oscar Gonzalez Fuentes / shutterstock.com)

Winning the women’s World Cup was a significant moment for Spanish football. Spain is now one of only two teams to have become world champions in both the male and female competitions (Germany is the other).

This momentous achievement cannot have been lost on Spanish football executives. For that reason, it is particularly incomprehensible that the president of the Spanish football federation kissed the women’s team player Jenni Hermoso on the lips in plain view of the entire world, turning what should have been a celebration into a reckoning.

Luis Rubiales’ defence is that he kissed Hermoso in a moment of euphoria (diminishing his own responsibility) and, more importantly, that it was by mutual consent. This he explained to a large crowd of the football federation’s members in a general meeting, despite Hermoso saying publicly that she did not consent to or ‘enjoy’ the kiss.

So far, Rubiales has evaded calls to resign, from the public and Spanish football federation officials (though he has been suspended by FIFA). But his protestations of innocence have been drowned out by a vociferous feminist movement, as well as the Spanish government, FIFA and other teams worldwide. Even some men’s teams are wearing shirts with the message #SeAcabó (it’s over), #contigo Jenni (with you, Jenni) and todos somos Jenni (we’re all Jenni).

Immediately hailed as Spain’s #MeToo moment, it appears to mark a turning point. In a society where feminist progress has historically met a backlash, it shows how far Spanish society has come to reject rancid machismo instantaneously.

Legitimate concerns

The kiss was not the only moment of such machismo with which this team has had to contend. In the autumn of 2022, 15 players demanded better working conditions, because they feared for their physical and mental health. ‘Las 15‘, as they became known, play football for first-division clubs (Barcelona, both Manchester clubs, Atlético de Madrid), so they knew what can be achieved with better resources and conditions.

These legitimate concerns expressed in private were leaked to the press and spun as a revolt of spoilt, female brats against the head coach, Jorge Vilda. Las 15 published a letter clarifying that their concerns were about better management of the team to achieve peak performance, and a less controlling leadership style that treats players professionally.

Rubiales, unsurprisingly, gave Vilda unconditional support. And from Las 15, only three players were selected for the World Cup (Batlle, Bonmatí and Caldentey), making their win against a formidable English team even more remarkable.

Wider changes

These moments are best understood within the context of wider legal, social and cultural changes which have taken place in Spain. While there was slow but steady progress on women’s rights in the 1980s and 90s, it was not until the administration of José Luis Rodriguez Zapatero (2004-11) that progress accelerated and the longstanding machista culture began to face a real challenge.

Two landmark legislative changes were made to combat gender violence in 2004 and progress gender equality in 2007. The most recent legislation, passed in October 2022, strengthens criminal charges for sexual aggression, among other advancements for women’s rights. These changes were described as a fundamental feminist achievement by the United Nations.

This wording, while accurate, plays into the hands of the far-right political party, Vox, which all too happily spin these advances as the making of a (too) left-wing government. Vox is vocal in its condemnation of feminism and blames women for destroying the nuclear family as the basis of society.

Most shockingly, it wants to protect men from ‘fake feminism‘, such as supposedly false stories about gender violence. This is the exact phrasing Rubiales used in his defence, showing how this ideology can be accepted and used by powerful men.

Throughout history, feminist movements have had to contend with setbacks and false narratives against them. As the American journalist Susan Faludi argued in her 1991 book, Backlash, the underlying cause of such a response to feminist movements is male anxiety about the loss of power in the public and private spheres.

In Spain, one can see these backlashes whenever there have been radical (or not so radical) legal changes. During the dictatorship in the 1960s, the slightest progress for female rights was perceived as a danger to a male-dominated society. During the transition to democracy (1975-82), women’s demands for rights were at best considered an afterthought and at worst a serious danger to society.

‘Profoundly feminist’

The vocal opposition to Rubiales’ behaviour shows progress is being made culturally as well as politically. Yolanda Díaz, a deputy prime minister, swiftly and confidently reacted to Rubiales’ kiss in a press conference: ‘Spanish society is profoundly feminist, it’s in the vanguard of equal rights and that’s why these abnormal behaviours stick out so much.’

This assertion that Spain is a feminist nation is borne out by the statistics at European and global levels. The European Union Gender Equality Index ranks Spain sixth of 27 countries, while the Global Gender Gap report ranks it 18th of 146 (the United States is 43rd).

The vast majority of reactions to Rubiales’ power play were to say ‘todos somos Jenni‘, although the most prominent male players were conspicuous by their silence. There is still work to be done.

Female and male feminists from all walks of life took to the streets demonstrating in Spanish cities, showing Rubiales the red card. It’s over for Rubiales: not even football tolerates toxic masculinity anymore.

An editorial in El País was brutally frank in its judgement of this powerful man who has behaved like a textbook perpetrator. No country can control its lunatics but how it deals with them is a sign of its maturity.

Spanish feminism one, machismo nil.

This article is republished from The Conversation under a Creative Commons licence

Anja Louis
Anja Louis

Anja Louis is professor of transnational popular culture at Sheffield Hallam University. Her research is firmly grounded in Spanish cultural studies in its openness to interdisciplinarity and its celebration of popular culture.

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